Tuesday, November 29, 2016

Teddy Lo

Teddy Lo

A presentation by Noel Johnson


"Gon Kirin" by Teddy Lo

Teddy Lo was an artist originally born and raised in Hong Kong and is now based out of the United States. He specializes in sculptures utilizing neon as well as focuses the main body of his works on light. The photograph above is of his sculpture "Gon Kirin". It is a large monster truck transformed into a dragon that utilizes neon lighting fixtures and pyrotechnics created for the Burning Man event that takes place every year in Nevada. In the presentation below you will also find examples of his light photography as well as other sculptures. Much of his work depicts the struggle for power between man and nature, or more so, the struggle of nature to combat the power of man. Not only does his use of motions and colors that depict fear as man approaches in his particular piece "Basilisk" show this, but his use of light as a medium shows it as well. Light, for centuries, has been studies because of its mysteries. Light can be seen as a wild, uncontrollable part of nature. However, even though he cant control it in its totality, Lo does have the power to create specific shapes and force the light to follow that shape. Through this, in increases the commentary on this struggle for nature to maintain its power in the face of man.



Rafael Rozendaal


Rafael Rozendaal

A presentation by Noel Johnson


Rafael Rozendaal is a modern, contemporary artists that utilizes websites as a form of canvas. He uses web domains to create an often interactive experience for his expansive internet audience. His art is often colorful and geometric in nature, as well as utilizing sound and heavily depending on audience interaction in order for the piece to reach its full potential. Much of his content can be seen as silly, possibly a critic of the silly nature of the internet platform he's utilizing. His art can also be seen as trying to depict the hidden beauty within web domains. For example, the piece above as well as several others of his motionless pieces are modeled after the blocky, geometric nature of social media sites. By emulating these shapes with brilliant colors he highlights the jovial nature of these platforms. Rozendaal has also been documented stating that he desires to show that these "screens" we experience every day can be much more immersive than the 2-D surface that we originally perceive them as. This idea of interaction and immersion is a relatively new idea in art and Rozendaal is one of the pioneers pushing this new form of art by allowing the audience to be an integral part in the outcome of an art piece. The following presentation gives more examples of Rozendaal's artwork:



Tuesday, November 22, 2016

A review and reflection of "Hypernormalisation" by Adam Curtis

A review and reflection of "Hypernormalisation" by Adam Curtis

While watching “Hypernormalization”, a documentary by Adam Curtis, I will admit to at first paying little attention and experiencing moments of boredom and distraction. In that moment within the first half hour of this film I was the quintessential child of technology he later describes. I, out of ignorance, have not been involved in the world of politics and activism in world issues until these recent past two years. Up until the age of eighteen I had this perspective that since the world did not care about my voice why should I care about it? Recently, and especially after watching this piece, I realize that I was wrong. I was a victim of this “fake world” that Curtis describes. I may not have had a political voice yet, but much of my time could have been spent widening my world view and opening my mind beyond what social media sites allowed me to see (as Curtis describes, we are isolated within a bubble of a static, pre-existing world view due to the filters utilized within these sites). Curtis describes this condition I was in within his film. He describes members of a fake world utilizing cyberspace to distract from the real world issues; individuals that are victims of the constant flux of politics that is now run more by corporations than people. He shows several examples that embody this new form of politics ranging from Trump’s flip flopping rhetoric, to the Western depiction of the leader of Lybia, to the Russian funding – while under the control of Putin-  of nearly every political group. This constant confusion and constant fear create a society that is too distracted to revolt or make a real change in were the world is going. Curtis even addresses the point that, even though this cyberspace environment has had the opportunity to bring people together to try and begin a change, the unchanging world we’ve been so long a part of seeps its way in by means of no ideas of a new society after the revolt.
This film, after much thought, has lead me to question much of the way our world is set up as well as how I feel I should, as opposed to actually do, view this world I live in. I want to make a difference, I do, but it also brings into question how much of my own happiness I am willing to sacrifice to make this difference. Do I sacrifice my only dream of being happy within my own life to create a difference in the world, or do I continue to live in blissful ignorance, concerned only with my values and needs and well-being, allowing this system to continue? Would making a difference even really mean sacrificing happiness, or is my idea of that merely a manifestation of this world I have been raised in? And if I were to decide to “make a difference” how much of a difference would that difference even be? Can my sole voice even mean anything or effect anything if one of the main ways of spreading that is through a system that only allows other who agree with my view to be reached by it? Is it a bad thing to participate in a social construct that you oppose? Does that make your voice invalid? For example, I have always been relatively opposed to the way University learning is run today. From the inequality of funding to certain programmes, despite everyone paying the same ludicrous amounts of money in order to even participate, to the fact that the University system is run solely out of an idea of profit rather than the enrichment of the human mind of every student. The University does not care if I actually learn to go on to actually apply that learning in a career that applies to subjects that I had learned. In short, after graduation, after they have acquired their money from me, I no longer matter to the university. Despite this view of mine, however, I still plan to participate, even up to the level of graduate school because I am equally aware that in our culture, a college degree gives you worth, despite it being only a piece of paper saying I learned something in a classroom as opposed to somewhere else. Does this personal fact of a “if you can’t beat them, join them” mentality make me another product of this world that Curtis describes, or is a simple awareness of it make and individual different enough?

However, I will say there is one particular flaw in Curtis’ film that I noticed. He uses diction that points out that he may disfavor rhetoric that hides truth. He shows the negativity that comes from lying while in power for benefit that suits it at the time. With this in mind you would think that he would want to expose all truth in relation to his topic of living in a fake world. In contrast, he shows a bias towards liberal views and I believe this results in his lack of addressing the corruption within the Clinton administration. I am myself a liberal as well and did support Hillary Clinton within the previous elections. I am still, regardless, going to play devil’s advocate. In a film toting about how certain things are hidden from us and we are stuck within isolated bubbles allowing us to only see what we want to, I do believe he should touch on the corruption that does arise within liberal parties from time to time. Even if it is just for a moment, bringing up possible counter arguments to his points and attempting to refute them would possibly make his arguments about politics even more powerful than they already are.